Author Dave Robison
Gaming and Speculative Fiction are inextricably linked… whether the tales of Conan the Barbarian led you to explore Dungeons & Dragons, or playing Warhammer 40K led you to the marvelous Black Library, the…
David Annandale describes horror as “the cluster of tactics and strategies that set about to create the effect of horror.” As such, it can be difficult to nail down as a genre… it can creep into…
Few people have impacted the world of audio theater in recent years like this week’s Guest Host, K.C. Wayland. Back in 2009, while the most of the world was just waking up to podcasting and the notion of audiobooks (and “Walking Dead” was still a year and a half from its debut), KC was writing and producing the award winning “We’re Alive” audio drama series, a tale of survival set against the backdrop of a zombie apocalypse. The superior production, performance, and storytelling of “We’re Alive” raised the bar on audio entertainment and inspired a renaissance of tales told through the “theater of the mind”.
That alone would make this a spectacular 20(ish) minutes, but wait… there’s more. My co-host for this episode is none other than the creator of the remarkable “Leviathan Chronicles” audio drama, Christof Laputka! With these two storytelling maestros together in the virtual RTP studio, you KNOW this is going to be a fabulous discussion. Tune in as we explore the distinctions between literary and audio storytelling, crafting action scenes in audio drama, killing characters, sensory challenges in audio drama, and more.
E-books, audiobooks, websites, podcasts, transmedia, social media, Scribd, WattPad… compared to just a decade ago, the ways to tell a story have multiplied exponentially. Readers (or listeners) can not only find the stories they want with a click of the mouse, but they can also find the authors themselves, creating a whole new dynamic of fandom.
As formats and delivery models transform and evolve, the question has to be asked: Has the ancient craft storytelling – an instinct hard-coded into the DNA of every human being – been changed as well? And if so, how? And, more importantly, what should an author know in order to tell their stories in this ever-shifting terrain?
Joining me to help address this question is Cat Rambo, Joe Bonadonna , Michael A. Armstrong, and Janet and Chris Morris, veteran tale-weavers straddling the traditional and the modern. Together, we set out to examine the “new” storytelling models, discussing ebooks, audiobooks, mobile technologies, episodic and serial storytelling, and more.
This week, Janet Morris and Chris Morris – creators and editors of the “Heroes in Hell” series, The Tempus Thales saga, and so much more – return to the Big Chairs (we’ve…
Tales around a fire. That’s how it started… the oral tradition, the first way knowledge was stored and transmitted.
Thousands of years later, we’ve rediscovered the power and presence of the human voice in the telling of new tales. Digital technology has made the recording and delivery of high-quality audio narration both convenient and affordable. Now storytellers everywhere are lifting their words from the page (or pixel) and breathing new life into their tales through audio fiction podcasts and audiobooks.
Translating a written tale into an audio presentation has unique rewards and challenges… and that’s the terrain we set out explore on this Roundtable Dialogue episode.
We must have been VERY good this year, ’cause Santa really came through and gave us James Sutter – author, musician, Managing Editor at Paizo Publishing, and co-creator of the fabulous Pathfinder role-playing game – as a Guest Host! We’re delighted to have James return to the Big Chair to lend his patented writerly mojo to our stock and trade here at the Roundtable… brainstorming stories. With author/editor Jennifer Melzer in the co-pilot’s chair, we buckle in for another adventure in awesomeness.
Rocker. Author. Editor. Gamer. Co-creator of “Pathfinder”, the biggest selling role-playing game in the world. Managing Editor at Paizo Publishing, the good people who MAKE Pathfinder (for those of the non-RPG persuasion). If there is anyone who has been a contributing factor to the recent (and long overdue) trend of geeks being cool, it’s James Sutter. From his early days as a journalism student to his current standing as author of the much (and justifiably) lauded “Death’s Heretic” and it’s sequel, “The Redemption Engine”, AND Managing Editor of Paizo’s fiction line, James has been all about the story.
If you’re going to workshop a story, you might as well do it right… bring in a scientist who has also been an editor with Dell, founded two editorial lines of books, published three novels for a hugely successful television franchise, AND has spent the last 20 years leading one of the top literary workshops in the industry. That’s exactly what we did, inviting Jeanne Cavelos, founder and lead instructor of the Odyssey Writers Workshop back to the Big Chair to brainstorm a story idea.
Jeanne Cavelos – Scientist, former editor at Dell Books, author of the Babylon 5 trilogy “The Passing of the Techno-Mages”, and founder/director of the Odyssey Writers Workshop – has pursued her passions at every stage of her life. From scientist to editor, author to teacher, with each path she has gathered intriguing insights and a deep understanding of the storyteller’s craft. We’re delighted to have her take the Big Chair and share some of those writerly jewels with us.
Mercedes Yardley – author of astonishing “whimsical horror” tales like “Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love”, “Nameless: The Darkness Comes” and the newly released “Pretty Little Dead Girls” – returns to the Big Chair at the Roundtable to ply her wicked storyteller mojo to a fabulous story workshop. With author Paul Ellis in the co-pilot’s chair, we have great fun brainstorming a unique tale of angelic intervention, bloody rebellion against an oppressive regime, and unleashing the dark side of human desire.
Mercedes Yardley’s literary voice is singular, beautiful, and striking in its poignant honesty. If you read anything from her marvelous canon – including “Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love”, “Nameless: The Darkness Comes” or the newly released “Pretty Little Dead Girls” – you will discover tales that defy category (she calls them “whimsical horror”) and will be a splash of wonder that will wake up and delight you.
Karen Healey – educator, advocate, and author of astonishing YA novels like “When We Wake” and the newly-released sequel “While We Run” – returns to the Big Chair at the Roundtable to catalyze our brainstorming efforts into a maelstrom of awesomeness with her storytelling mojo (spoilers: she succeeds). Joined by the eloquent and insightful Katie Bryski (author of Hapax, numerous short tales, AND a children’s opera), the stage is set for a fabulous story workshop.
Author, educator, and articulate advocate of comics (and so much more), Karen Healey brings an astonishing voice and perspective to the writer’s craft. Her passion for storytelling is deeply rooted in the connections it forges between people, cultures, and histories. Her work has been lauded many times, including the 2011 Sir Julius Vogel Award for Best New Talent and includes “Guardian of the Dead”, “The Shattering”, “When We Wake”, and its sequel “While We Run”. In addition to her delicious prose and richly-drawn characters, Karen brings a fierce integrity and commitment to the truth that underlies each of her stories.