Posts Tagged: ‘character’

Hitting the Description Sweet Spot

May 21, 2012 Posted by Tristan Gregory

“Descriptive” is a common compliment for books. Perhaps too common – one of the usual downfalls of newer writers is the tendency to over-describe every aspect of their stories, from the characters to the setting to the teapot in the cupboard.

Characters should be described. So should setting. That teapot, though, probably doesn’t require the readers’ attention, and you should not be wasting your authorly breath on it. Too much description, even of vital elements of the story, bogs down your narration and leads the reader to start skipping entire sections of your story – assuming, that is, they don’t simply quit reading.

How much is too much? At what point do you go from “very descriptive” to “bloated and boring?” With writing, there are never any rules – only guidelines. The following are a couple of mine. (more…)

Actors Write Better Characters

April 26, 2012 Posted by Dave Robison

Actor studying

image from The University of Iowa Libraries

“There is no one better equipped to build rich authentic characters than someone who has actually “lived” (for a few hours) as someone else.

 

The best characters in our stories are living breathing people.  They are unique individuals that speak and act authentically as the tale unfolds around and through them.  You can’t learn how to write characters like that from a book… it takes years of practice and study to write honest characters.

Or you can become an actor… because we totally have it going on in the “character” department. Seriously, there is no one better equipped to build rich authentic characters than someone who has actually “lived” (for a few hours) as someone else. In order to appear authentic on stage, an actor has to be able to respond to cues and events AS THEIR CHARACTER.  If they don’t, the performance is flat and uninteresting.

Writers are striving for that same authenticity… and suffer the same consequences if they fall short of the mark.

So how do actors do it? (more…)

20 Minutes with Phillipa Ballantine

April 6, 2012 Posted by Dave Robison

Philippa Ballantine

Philippa Ballantine

Pip Ballantine – New Zealand’s first podcasting author – takes time from the wonders of the Ministry, the Order, and the Shifted Worlds to join us for (a little more than) a twenty minute chat. In spite of her many achievements and gift for crafting exquisite worlds, Pip has her feet on the ground and speaks frankly and with ease about her work, the evolution of a story, the role of mythology in her work, and the characters she’s crafted.  (and don’t miss Pip’s Workshop Episode)

PROMO: “Interlopers” by Paul Elard Cooley (on Amazon)

Showcase Episode: 20 Minutes with Phillipa Ballantine

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Listen to this episode on iTunes

Episode Breakdown (more…)

Love Your Bad Self!

April 4, 2012 Posted by Brion Humphrey

Brion Humphrey as... The Dark One

The Dark One

“We want to believe the best of who we are, and ignore and deny the worst.  The most intriguing moment of a story is when a villain begins to convince a reader that what he is doing may actually be necessary…”

As writers, we often romanticize our protagonists, endowing them with ruggedly handsome, or sweepingly enchanting good looks, special abilities that set them above the fray and add intrigue, and razor dialogue that always leads them to exactly the right thing to say at the right time.  Our heroes are, after all, in some way not too short of narcissism, based on ourselves.  And don’t we love to pretend we are that cool?

One thing that we definitely do with our protagonist, is give him a sense of duty born from a true conviction.  He believes in what he does, and what he does is right and just.  This aspect of a character is why he acts and plays out the trials and conflicts in the story.  Ultimately, it is also why we as readers follow him into whatever danger his belief conjures.

But what of the villain?  Why do so many bad guys fall flat and fail to intrigue readers?  And why, as writers, do we spend so little time developing our antagonists as fully as even our sidekicks?

What of a villain bent on world domination, or a bad guy who just likes to kill? Isn’t that good enough to tell a good story?

(more…)

Workshop Episode 3 (Guest Host: Gail Carriger)

March 20, 2012 Posted by Dave Robison

The Roundtable Podcast, Workshop Episode 3, with Gail Carriger and Laura HowardNew York Times Best-Selling author Gail Carriger generously makes time in her busy schedule of book releases, tours, and numerous (and intriguing) projects to join Brion and Dave on this third workshop episode. Laura Howard steps up as our Guest Writer sharing a tale of Faerie betrayal and intrigue.  Topics discussed include passive characters, the proper use of world building, and how to end a book. (And don’t miss Gail’s Showcase Episode)

PROMO: New Fiction Writers – http://newfictionwriters.com/

Workshop Episode 3 (Guest Host: Gail Carriger)

[warning: contains mature language]

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As astonishing as it may seem, you can check out this episode on iTunes, too!

(more…)

Character Development: Backstory

March 3, 2012 Posted by Dave Robison

Listening to History

image by cliff1066â„¢

 

“Authentic characters are part of a continuum. They existed before the story and they will exist after it (if they survive. If not, the consequences of their actions will continue).”

Download the Character Background Worksheet

For many writers, character development is the cornerstone of their storytelling process.  Plot is merely a set of choices made by the characters of the tale (“I need the Ring of Awesomeness”), conflict is generated when those choices become mutually exclusive (“You can’t have the Ring of Awesomeness, because I want it”), and the coveted protagonist and antagonist positions are determined by the ethics and morals of those choices (“I need the Ring of Awesomeness to save my dog”).

Nearly every scene is defined and driven by the characters.  Creating authentic well-supported characters (heroes AND villains) can make for a great story.  The character development process takes place in as many ways as there are writers, but if you step back far enough, there are generally two schools of thought:

Fit the character to the plot or “I know the story I want to tell, I just need a character to make it happen.”

Fit the plot to the character or “I love this character, I just need a story to feature him/her in.”

Regardless of your approach vector, having a clear understanding of your characters will help make the writing process flow more gracefully and your enrich your stories. (more…)

20 Minutes with J. Daniel Sawyer

March 2, 2012 Posted by Dave Robison

J. Daniel Sawyer

Brion and I are delighted to have Dan Sawyer as our premiere guest on this Literary Alchemist Showcase.  The 20 minutes went by far too quickly, but we covered some serious ground… enjoy! (And don’t miss Dan’s Workshop Episode)

Showcase Episode: 20 Minutes with J. Daniel Sawyer

[warning: contains mature language]

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Listen to this episode on iTunes

Episode Breakdown… (more…)